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The film was shot at the MGM-British Studios near London, UK on a budget of US$1.05 million, with exteriors and the grounds shot at Ettington Park (now the Ettington Park Hotel) in the village of Ettington, Warwickshire. Julie Harris was cast by Wise, who found her ideal for the psychologically fragile Eleanor, though during production she suffered from depression and had an uneasy relationship with her co-stars. The interior sets were by Elliot Scott, credited by Wise as instrumental in the making of The Haunting. They were designed to be brightly lit, with no dark corners or recesses, and decorated in a Rococo style; all the rooms had ceilings to create a claustrophobic effect on film.
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The Haunting of Hill House (TV series)
Kyle MacLachlan has joined Letterboxd — and he's sharing lists of favorite movies for some of his most iconic characters. In November 2019, per Bloody Disgusting, word was made public the Craven estate was now looking for Nightmare on Elm Street pitches for potential movies or TV series. Instead of using real authentic footage, the trailer featuring Millie Bobby Brown's face overlayed on the faces of several characters from other Nightmare on Elm Street films. The trailer, which showed up on YouTube on April 18, sees Brown going up against the nightmare-inducing Freddy Krueger in what would be the 10th film in the storied horror franchise. A beautifully dark triumph from Wong Kar-wai, Happy Together follows a stunningly mismatched couple (Leslie Cheung and Tony Leung Chiu-wai) as their relationship falls apart during a trip to Argentina. The very hot, but deeply codependent couple, keep being drawn back into each others orbits—and they make being young, gay, and in sweaty love look so cool that you can't help but hoping they make it.
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Markway becomes alarmed at Eleanor's obsession with Hill House in spite of its dangers. The steering wheel begins to turn by itself, and Eleanor struggles to regain control before surrendering to the unseen force. A female figure suddenly appears and runs past in front of the car, causing Eleanor to crash into a tree and die. Markway and the others arrive to find that it is Grace, who says the House has been keeping her lost on purpose. She ended up in the attic when she was trying to find a way back to Dr. Markway, and Eleanor saw her. She was unsure of how she found her way outside the house, or got in front of Eleanor's car.
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Eleanor is awakened by the emphatic voice of a man speaking and a woman laughing. Fearful, Eleanor asks Theo to hold her hand and soon she feels a crushing grip. As Eleanor hears the sound of a young girl crying, she shouts at whoever is hurting the child. Theo awakens to find that Eleanor has moved from the bed to the couch, and Eleanor realizes it was not Theo's hand she held.
Remakes weren’t as big as they would get in the years that immediately followed but it wasn’t uncommon either. 1990 gave us the Tom Savini directed remake of Night of the Living Dead and the year before this movie came out, we were gifted? We would get a much more popular quasi-remake in 1999 with Brendan Fraser’s The Mummy.
Meanwhile, Suspiria revolves around a community's dark, supernatural underbelly, and Being There features a similarly softspoken protagonist to Dale's alter ego Dougie Jones. Double Indemnity features a character dictating his innermost thoughts into a machine in a manner similar to Dale's voice recordings. And Rear Window, Anatomy of a Murder, and Laura (the last of which is aptly named similarly to Twin Peaks' victim Laura Palmer) all concern investigating a murder case.
The Haunting ( – The Test of Time
If you weren’t around to witness the fervor Get Out’s release generated (box office success, mega-awards attention, instant meme status), you’d be excused for wondering how the hell Jordan Peele managed to be anointed the future of cinematic horror after a single film. Movies are all products of their time, but comedies are especially tricky. Laughter is often based on behavior that is in opposition to societal norms, so what’s funny to one generation may seem stale or toothless a few decades later. Which is why it’s remarkable that this nearly 78-year-old screwball farce from writer/director Preston Sturges is still so dang hilarious. Dubbed Bisham Manor, the imposing estate at 1901 Old Young’s Mill Road might look like the house in the series, but that’s pretty much where the similarities end. Kids are seeing ‘bent-neck ladies’ in the night, hearing strange noises, while Olivia becomes increasingly unhinged, much to Hugh’s concern.
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Director Barbara Kopple’s original intent was to create a film about efforts to unseat the wildly corrupt leader of the United Mine Workers of America union at the time, W.A. Boyle, who seemed to many to be in the pockets of the mine owners (he was later convicted of conspiracy in the murders of a reformist opponent’s entire family). That explosive story, though, turned out to be a side note of the brutal, bloody, violent opposition faced by the striking mine workers and their families. When we think of the snappy, smart style of the better screwball comedies, we’re thinking of His Girl Friday.
All About My Mother (
Wise used a 30mm anamorphic, wide-angle lens Panavision camera that was not technically ready for use and caused distortions. It was only given to Wise on condition that he sign a memorandum in which he acknowledged that the lens was imperfect. Wise and cinematographer Davis Boulton planned sequences that kept the camera moving, utilizing low-angle takes, and incorporating unusual pans and tracking shots.
Repairs take much longer than anticipated, as if the house itself was committed to causing trouble and keeping the family close. In Flanagan’s version, Hill House is a living and breathing organism that manages to haunt the Crain family for decades, luring them back one by one. Hill House, both in the novel and in the Netflix adaptation, is sinister-looking, unwelcoming, ominous even, like a warning to those who dare enter.
After all, you can’t count exclusively on Stranger Things for your Halloween traditions. Dr. Markway's skeptical wife Grace arrives at Hill House to warn him that a reporter has learned of his investigation there. That night in the living room, the group experiences loud banging and an unseen intruder attempting to force its way into the room, causing the door to bulge inward. The banging moves towards the nursery, where sounds of destruction are heard. Later, Eleanor's mental instability worsens as she enters the library and climbs the dilapidated spiral staircase, followed by Markway, who tries to coax her down.
Another implied possibility is that Eleanor possesses a subconscious telekinetic ability that is itself the cause of many of the disturbances experienced by her and the others, which might indicate there is no ghost in the house at all. This possibility is suggested especially by references early in the novel to Eleanor's childhood memories about episodes of a poltergeist-like entity that seemed to target her home. The group find the mansion's walls were constructed with angles askew, resulting in off-center perspectives and doors that open and close by themselves.
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